https://oldena.lpnu.ua/handle/ntb/41542
Title: | Музейна комунікація в умовах викликів глобалізації |
Authors: | Вербицька, П. В. |
Affiliation: | Національний університет “Львівська політехніка” |
Bibliographic description (Ukraine): | Вербицька П. В. Музейна комунікація в умовах викликів глобалізації / П. В. Вербицька // Historical and Cultural Studies. – 2016. – Volume 3, number 1. – P. 21–24. – Бібліографія: 5 назв. |
Journal/Collection: | Historical and Cultural Studies |
Issue Date: | 2016 |
Publisher: | Lviv Polytechnic Publishing House |
Country (code): | UA |
Place of the edition/event: | Львів |
UDC: | 37:93/94-057.875 |
Keywords: | музейна комунікація музей глобалізація інформаційно-комунікативні технології публіка mseum communication museum globalization public information and communicative technologies |
Number of pages: | 21-24 |
Abstract: | Розглянуто проблему актуалізації ролі музейної комунікації в сучасному глобалізованому суспільстві. Виокремлено та узагальнено чинники, які визначають нові підходи й форми взаємодії музею із публікою, забезпечуючи широке впровадження сучасних інформаційно-комунікативних технологій, модернізацію змісту експозиції, розширення спектру й підвищення якості музейних послуг. З’ясовано потенціал впровадження комунікативного підходу в музеології й музейному проектуванні, що дає можливість застосовувати в практиці музею нові медіа та технології інтерпретації та сприйняття експозиції. The article deals with the problem of actualization the potential of the museum in a globalized society. Modern communication paradigm is considered in the context of providing the possibility of direct involvement of all participants to communication process. Modern social needs lead to social change of the museum mission towards effective cooperation with society. Communicative space of museum in modern conditions is characterized by availability and the possibility of cultural values transmission in the virtual space. Based on modern scientific understanding of a museum role in contemporary social and cultural conditions, a new vision of museum communication is formulated. It is aiming at overcoming cultural and historical distance, establishing connections between the past, present and future, which lead to the revision of the museum traditional structure. The museum cannot be limited solely to passing scientific knowledge to its visitors. It is also necessary to consider motives and emotional requirements of the audience. By selecting the exhibits, extracting them from their cultural-historical environment, preserving and systematizing them, a museum becomes a specific channel of cultural-historical communication. Social value of a museum exhibit is determined by its historical-cultural context which shapes attitudes to the subject, as well as to a specific phenomenon or process associated with it. Allocated and summarizes the factors that define new approaches and forms of interaction museum with the public, providing a broad introduction of modern information and communication technologies, modernization of content exposition, expanding the range and improving the quality of museum services. It was found the potential of communicative approach implementation in museology and museum design, which makes it possible to introduce new technologies of interpretation and perception of exposition by individuals, introducing new media in the practice of the museum. New media and social networks form a wide range of museum communication instruments. The vision of the museum as a social and cultural institution in modern conditions is complemented by understanding of its active role in social and cultural development of community. Exhibitions and other museum activities can become a tool for better understanding of today’s world and meet the needs of people at present. |
URI: | https://ena.lpnu.ua/handle/ntb/41542 |
Copyright owner: | © Вербицька П. В., 2016 |
References (Ukraine): | 1. Вайдахер Ф. Загальна музеологія : посібник / Фрідріх Вайдахер; пер. з нім. В. Лозинський [та ін.]. – Львів : Літопис, 2005. – 629 с. 2. Хаттон А. Музеи и наследие: есть ли между ними реальное противоречие / А. Хаттон // Музеи мира : Музееведение. – М., 1991. – С. 72–87. 3.Чепайтене Р. Культурное наследие в глобальном мире / Р. Чеапайтене / Европейский Гума- нитарный Университет, Институт Истории Литвы. – Вильнюс, 2010. 4. Cameron D. Viewpoint: The Museum as a Communications System and Implications for Museum Education / D. Cameron // Curator, Vol. 11, 1968. – P. 33–40. 5. Key Concepts of Museology / [edited by André Desvallées and François Mairesse] / ICOM International Committee for Museology (ICOFOM). – Paris: Armand Colin, 2010. – Режим доступу: http://icom.museum/resources/publicationsdatabase/ publication/key-concepts-of-museology/. |
References (International): | 1. Wydaher F. (2005) General Museology: Manual, Translated from German by Lozynskyi V., Litopys, Lviv, 629 p. 2. Hutton A. (1991)Museums and Heritage: If There Is Real Controversy Between Them in Hutton A. World Museums: Museology, Moscow, pp. 72–87. 3.Chepaytene P. (2010) Cultural Heritage in Global World, European Humanities University, Institute of History of Lithuania, Vilnius. 4. Cameron D. (1968) Viewpoint: The Museum as a Communications System and Implications for Museum Education in Curator, Vol. 11, pp. 33–40. 5. Key Concepts of Museology (2010). Ed. by André Desvallées and François Mairesse, ICOM International Committee for Museology (ICOFOM), Armand Colin, Paris available at http://icom. museum/resources/publications-database/publication/key-concepts- of-museology/. |
Content type: | Article |
Appears in Collections: | Historical And Cultural Studies. – 2016. – Vol. 3, No. 1 |
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HCS_T3_N1_2016-23-26.pdf | 172.18 kB | Adobe PDF | View/Open |
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